Originally posted by DrunkWolf
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HALO Movie Discussion Thread
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Originally posted by Jefferthe one thing i would like explained in the movie is y Guilty Spark calls the MC A reclaimer
The center of Khlysty surrounds me
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Originally posted by Anubis69The first room's alright, incredibly challenging, but then you go to the next room and it's like 5 waves of elites. The last, a guy with a plasma sword, an elite with double plasma rifles and countless other elites. I swear, it's impossible. You must've done it like me and played it for hours trying every possibly option, door and weapon!
One thing i noticed, the pistol is rubish compared to Halo, but if you dual wield it with an SMG or an elite plasma rifle, it's helluva deadly. knocks the elites shield in about 3 shots. just mash the button for all it's worth.
Hey, Metarock Sam, any tips????
Smg combined with either needler plasma rifle or another Smg really works well in taking enemies to peices.
When using the covenenant sword use melee attacks more often then if you were to just attack normally.
If in a veichal a good tip is to get a really good weapon (or if its a guss wharthog jump in the back) drive along or go in the passenger seat and shoot anything that moves.
When driving ghosts you may wont to focus more on crushing enemies rather than shooting them as crushing is a bit more effective (shooting and crushing at the same time is recommended rather than one to another.)
IF Banshees are really annoying you lock on with a rocket launcher and youve finished the job.
If playing in multiplayer i recommend that you do not use sentinal beams. Why ? you ask its because you can get spotted by anyone so easily try sneaking up behind people and hitting them with a melee before shooting etc.
But mainly just have a blast and enjoy it.Oh Yes the Sam is Back and hes more Sci-fied up than ever !!!!!!!!!
Coming Soon a new Banner from Me
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i'm lvl 20 on live for Team Slayer and 19 on Rumble Pit i do ok but i just can't seem to get past the pelican bay and i have gotten really really good with sticky grenades but i still can't get past the pointDuct tape is like the Force. It has a light side and a dark side and it holds the universe togethersigpic
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http://www.bungie.net/News/TopStory....illa&p=4955829
Yes!!! Peter Jackson is onboard for the Halo movie!!
Ever since I read this I have not stopped smiling
This is a good day for Halo fans!sigpic
In the infinite expanse that we occupy, whose to say that something's impossible?
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Originally posted by Naearacan someone give me a quick run-down of the premise behind Halo?gumboYaYa: you are all beautiful, your words and openness are what make that shine. don't forget how much talent love and beauty you all have. so for now, peace love love love more love and happy, and thank you, thank you, thank you
love Torri
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It will be interesting to see how much he's involved in it?? I might be totally wrong, but I thought the producer pretty much raises all the money and tells the director what he has to work with money-wise in each scene. It's possible that he's lending his name to a director that he really believes in to help generate money and publicity. Or maybe he'll be involved in the overall vision more than I realize. What I want to know is; will WETA workshop be working on Halo?? I know they're working on Neon Genesis Evangelion live action first. (they're the guys who did all the LOTR special effects if you didn't know.)
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Originally posted by CrichtonWhat I want to know is; will WETA workshop be working on Halo??
Originally posted by CrichtonI know they're working on Neon Genesis Evangelion live action first.
Peter Jackson is the Executive Producer, which puts him in a place to make broad decisions about the film (as I understand it). This includes hiring a director. Possibly himself.
Also, Bungie, the studio that made Halo, has retained a lot of control over the film. Microsoft payed one million dollars to have a script written that the Bungie guys had to approve before it was shopped to Hollywood, so we can assume the film will have the utmost respect for the source material.
a time to mourn
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