Yeah. I really didn't like The Storyteller either.
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The Storyteller (as I previously watched it in my rewatch) isn't about the story. Because quite frankly the plot weak. Its about the character interactions. Its the foundation of the O'Brien/Bashir friendship and the Nog/Jake frienship thats important. As any DS9 vetern knows they are quite strong in the later yearsOriginally posted by aretood2Jelgate is right
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Most definitely, but I think a balance between the two is important for a strong episode. It's hard to take character interactions seriously when they're in the context of metaphysical ludicrousness."A society grows great when old men plant trees, the shade of which they know they will never sit in. Good people do things for other people. That's it, the end." -- Penelope Wilton in Ricky Gervais's After Life
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Originally posted by DigiFluid View PostMost definitely, but I think a balance between the two is important for a strong episode. It's hard to take character interactions seriously when they're in the context of metaphysical ludicrousness.
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The Circle
I know I said The Homecoming was kind of slow and I stick by that assessment. But the following two episodes make up for that slowness. A lot of times DS9 has these episodes have virturally no story just building of the character and other times it has a big plot with some characterization. But this episode is both. The first half is about Kira and her assessment of the situation. More importantly its an assessment of Kira think she is. A postion is highlighted in her Orb experence
In the background of that story is the issue of The Circle and how they are basically starting a war with the provisional government. But you don't really think about it because its just Odo doing his normal investigating. That is until Kira get kidnapped. That is when the Circle stage and we realize how deep this terrorist group stretches. Although a minor compliant is I thought the phaser fight to free Kira was too easy.
After this is when we lean that the Cardassians are the ones who are behind the Circle which given their sinister agenda isn't too difficult to believe. On a final note I love how Adm Chakote (not to be confused with Voyager's 1st officer) tells Sisko to evactuate and yet while Sisko doesn't disregard the order he twists it so he gets left behind when The Circle. I love that about Sisko. He doesn't blindly follow the admirals' order like a certain bald Frenchmen. He is more human in that regard.
The Siege
This is pure action. That is not to say their aren't character moments but its mostly action. Rather if your follow Kira and Dax in the Bajoran shuttle that probably rivals the Prophet age or if you watch Sisko and company protect the station its action. But before I get to that let me say I laugh at Quark being left behind. He deserved it.
The banter between Dax and Kira in the shuttle and Bajoran moons is hilarious of Kira is used to arachic technology and lifestyle while Dax isn't use to this harshness. I particularly like to the line where Kira tells Dax to navigate "on the seat of her pants." On a more serious side the friendship between Dax and Kira is really shown when despite an injured Kira ordering Dax to move on to the Capital, Dax blindlfully ignores her
Sisko is the leader of Deep Space Nine for a reason. He knows how to strategize. Its interesting to see just for how long he is able to outsmart the occupying Bajoran task force. Although I think Li Nalas and Bashir helped a little. Speaking of Li Nalas that ending where he sacrifices himself to save Sisko is why I think he is and was always a hero. It speaks to who he was as in both instances that he cared more about others then his own well-being. That simple definition to me is a hero.
On a final note these episodes show once again how Winn is an expert of using her religion position to sway people her side and then backstab them to further her own goals. Minster Jaro was nothing more then a puppetOriginally posted by aretood2Jelgate is right
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Originally posted by jelgate View PostThe Storyteller (as I previously watched it in my rewatch) isn't about the story. Because quite frankly the plot weak. Its about the character interactions. Its the foundation of the O'Brien/Bashir friendship and the Nog/Jake frienship thats important. As any DS9 vetern knows they are quite strong in the later years
ridiculous.
The B-story, involving Jake and Nog's adolescent mayhem and the way they come to know Varis, is very entertaining. Especially the scene where the three of them breaking into Odo's office to steal his bucket. LOL There's not much depth in this episode, but the execution definitely makes it good for some genuine smiles.
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Originally posted by jelgate View PostThe CircleI know I said The Homecoming was kind of slow and I stick by that assessment. But the following two episodes make up for that slowness. A lot of times DS9 has these episodes have virturally no story just building of the character and other times it has a big plot with some characterization. But this episode is both. The first half is about Kira and her assessment of the situation. More importantly its an assessment of Kira think she is. A postion is highlighted in her Orb experence
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Originally posted by USS Defiant View PostVery well stated brother jelgate. Like the first part, The Circle manages to tell a lot of story while still maintaining a respectably slow pace. Kira's time at a Bajoran monastery proves to be quite interesting - the idea of Kira trying to be "useless" seems exactly the opposite to her personality. And her encounter with the orb as she explores her pagh is very powerful - the imagery works quite well, while the symbolism and foreshadowing proves incredibly intriguing.
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Originally posted by the Fifth Race View PostI found Minister Jaro as completely believable - I love how DS9's political backdrop allows an analysis of events in The Circle to unfold - Jaro isn't simply a villain, he's an adamant man who, in his mind, has been forced into the direction he has taken and sets his sights for it. Such characters and their actions make for a compelling story that's completely believable.Originally posted by aretood2Jelgate is right
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Originally posted by jelgate View PostI think Jari was nothing more then Winn's puppet to get power. She may not have been part to the Circle but she was using Jaro to become Kai. I don't think even he was aware of this. He thought his Circle was helping Bajor but the Circle was used to just to get Winn influence. I think we can agree it fits Winn's personality
He was the political equivalent of Winn and I think she would have slept with the devil 7 seasons earlier to get it, instead of waiting for Dukat. Winn was just smart enough (if I remember the episode right) to be able to distance herself from him when it all turned to crap.
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Originally posted by Starrtom View PostJust watched "In The pale Moonlight" it is such a great episode. Very dark, and has a lot to say. DS9 when it's good, boy is it good.
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Originally posted by SaberBlade View PostHe was the political equivalent of Winn and I think she would have slept with the devil 7 seasons earlier to get it, instead of waiting for Dukat. Winn was just smart enough (if I remember the episode right) to be able to distance herself from him when it all turned to crap.
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Originally posted by jelgate View Post[The Siege
This is pure action. That is not to say their aren't character moments but its mostly action. Rather if your follow Kira and Dax in the Bajoran shuttle that probably rivals the Prophet age or if you watch Sisko and company protect the station its action. But before I get to that let me say I laugh at Quark being left behind. He deserved it. On a final note these episodes show once again how Winn is an expert of using her religion position to sway people her side and then backstab them to further her own goals. Minster Jaro was nothing more then a puppet
The Siege was probably the weakest (but still a great episode) of the overall stellar III-parter, which wraps the plot up nicely - but unlike the first two parts there's more a sense that the story's events were pre-planned by a writing team than they followed inevitably from the setup of the story.
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