Welcome to GateWorld Forum! If this is your first visit, we hope you'll sign up and join our Stargate community. If you have questions, start with the FAQ. We've been going strong since 2004, are we are glad you are here.
Okay, as requested by JW and yami and scifan, here's a tut to make this sig in PS CS2:
Spoiler:
You will need:
NOTE: These are not in order of use. Normally, I try to get them in here like that, but I didn't this time.
Open your canvas and fill with White.
Add first stock, the clock. I didn't resize this at all for the sig, just put it in where the clock was centered.
Add second stock, the wave. Set to Normal, opacity 100%, and flip horizontally. (Edit-->Transform-->Flip Horizontal) Now, position the wave so that it's crashing up over the rock and pointing toward the number 3 on the clock. Using your eraser or mask (whatever your preference), blend so that the edge of the clock stock doesn't show. Don't cut off the rocks along the bottom of the sig!
Open the third stock, the vintage window. I didn't use the window itself, just the “shutter.” Set to Overlay, opacity 100%, and place just to the left of the clock. Blend the edges.
Open the fourth stock, the flowers through the window. Set to Soft Light, opacity 100%. Now, I used just a tiny bit of this one. Set it in the upper right corner, and erase whatever you don't want.
Open your first character image, Susan in my sig. Scale down to the size you want it, flip it horizontally if you desire, and set to Soft Light, opacity 100%. Blend the edges. Duplicate this layer and blend however you need.
Now, go back to your clock stock and duplicate it. Then, go to Filter-->Blur-->Gaussian Blur. Set the numbers high enough that it obliterates all details of the clock. This should give you a pretty clear version of your character. Erase everything except what is beneath your character. This way, you have the clock “frame” around your character but not the details of the clock showing through.
Now, back to the top, above Susan.
Open your fifth stock, the pink and gray flowers. Set to Soft Light, opacity 100%. I positioned this pretty centered, right where Susan's hand holding the bow would be. Duplicate this stock, and set the new layer to Normal, opacity 58%. Erase everything except around the flower at Susan's hand. This brings a lot more detail to the flower.
Open your second character image, Caspian on his horse in mine. Set to Normal, opacity 100%, and scale down. Blend him in as much as you wish. I also flipped him horizontally, as well, so that he was facing the opposite direction from Susan.
(That is one thing to insert here. I like to keep my different models facing opposite directions unless I'm going for the "staring in one another's eyes" look. That way, it keeps the piece of artwork balanced and doesn't draw the eye to one particular side of the artwork. Again, if that's your intent, feel free )
Open your sixth stock, the white flowers. Set to Screen, opacity 100%. I erased most of mine, leaving hints of it only around the top of the wave and the frame of the clock.
Open your seventh image, the light texture. Set to Soft Light, opacity 100%, and position however you wish. I also went into Blur-->Gaussian Blur and used just enough to get rid of the little squares.
Now, make a stamp (Ctrl—Alt—Shift—E) and use whatever filters you wish. I used Paint Daubs (Filters-->Artistic-->Paint Daubs) to sharpen it. Then, I erased everything except the two characters because I liked the kind of blurred, ethereal background.
TEXT
Spoiler:
For “No need to say Goodbye,” I used Dark Roast, color #100b0a. Then, I duplicated it and changed the color to #e4e1df. You might use different colors depending on how your background turns out. I did two different layers, one for “No need to say” and another for “Goodbye” so I could get the sizes I wanted for the text. Rotate them however you'd like.
For the layer of “No need to say,” I also used Layer Style-->Outer Glow. You can set your own settings here, however you'd wish. I used color #e4e1df.
Now, after this, I did a new layer and filled with color #e4e1df. Set to Screen, opacity 75%, and using a soft brush, erase everything save what's behind your big “Goodbye.” I liked this better than an outer glow here because it was less regular. And I could erase what covered up my background.
For all other text, I used Times New Roman, size 9pt, in color #100b0a, arranged around the sig as I wanted. I added a similar outer glow to these.
Here is one of the tutorials that Ikorni requested.
Here is how I made my Stana sig.
Spoiler:
BASE
1) Open a document to whatever signature size you prefer, I chose 500x180. Fill with white.
2) Open and paste into the document this clock stock. Try to put the clock just off center and to the right, do not worry about leaving the edge visible. It will be covered up in the following steps. Normal, 100%.
3) Open and paste this stock into the document. Set to the left of the clock and, with a layer mask, blend into the clock. Normal, 100%.
4) Open and paste this bridge stock into the document. Set to the right and bottom of the clock and, with a layer mask, blend into the clock and erase the other edge if it's visible. Normal, 100%.
5) Take this window and paste it into the document. Set to Multiply, 100%.
6) Add this fire stock and set it to Normal, 100%. Erase the edges and set to the bottom center of the canvas. Make sure you erase this with a layer mask so you can go back and add more of this stock or less.
7) Add your first picture of your character. Resize to as small as you like and place off center. Cut your character completely out of the background.
8) Add another picture of your character. Resize if need be and place just to the left of the smaller picture. Cut her/him completely out of the background.
9) Make a copy of the second stock and bring to the front. Move to where the fog is just under where your main character picture is and erase whatever you don't like.
10) Take this texture and add it to the left side of the canvas. Set this to Lighten, 100%. Duplicate the layer and set this one to Screen, 100%. Erase whatever you don't like but make sure the words are still visible.
11) Take this texture and add it to the canvas. Resize to about the size of your canvas and set to Soft Light, 100%. If you need to, use the smudge brush to clean up the texture on top of your characters pictures. Create a stamp of your current work, you will need this later.
16) Color Fill #1: #051f25. Set to Exclusion, 100%.
17) Color FIll #2: #290d2b. Set to Exclusion, 76%.
18) Take the stamp you created in step 11 and bring to the front. Set to Normal, 25%.
19) Curves: Point 1: Output: 140, Input: 158.
20) Gradient Map: Washed away art Gradients #2: Gradient #12. If you can't use Photoshop gradients: #ebecc2 to #402b0e. Set to Overlay, 50%.
21) Duplicate the stamp from steps 11 and 18. Bring to front, set to Overlay, 14%
FINISHING TOUCHES
22) Create a stamp. Use Topaz Clean, Crispstyle. Set layer to Normal, 60%. NOTE: If you do not have Topaz Clean, don't worry. Just use whatever filters you use to finalize your art.
23) Create another stamp. Use Paint Daubs: 1, 1. Set layer to Normal, 40%.
24) Create one last stamp. Blending Options: Stroke: Default, size: 2.
25) Watermark your work, if you do, and you are finished.
If you have any questions let me know. And, I don't think I've stated this but, this tut can also be found @mylj and @myblog. Those will be put up later tho.
Wow, Valerie: what great ideas for icons. It takes me ages to get one done, and that's after two or three failed attemps. At least Well done. Really like the window of oppportunity ones: that's my fave episode ever so....
When having a black background- Is there any way to reduce the opacity in a pic layer, without turning the whites greyish?
I have GIMP so I don't know if this will help. Sometimes if you change the layer mode that can help or when you use both layer masking and the blending tool. Might have to adjust the color a bit though.
Comment