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June 16, 2009
Photos: Carl Binder, Ivon Bartok, Paul Mullie, Mark Savela, Alex Pappas, Patrick Gilmore, Jennifer Spence, Joe Mallozzi, Andy Mikita, Ashleigh
Today’s lunch room conversation centered on the frustrating, lonely, arduous, dispiriting, painful, occasionally lucrative job of the professional scriptwriter. How to best describe the scripting process? Well, have you ever spent a night in a feverish haze, tossing and turning, falling in and out of sleep, endlessly repeating variations of the same weird, maddening dream? It’s like that except that you’re not confined to your bedroom. No, so long as that script sits unfinished, it’ll weigh on your 24/7 – at the office, in the shower, while you’re having that long distance conversation with your mother about that celebrity dance show. We compared and contrasted our various writing processes. My writing partner Paul, for instance, has to work an entire scene out in his head before sitting down to write it. Brad and Robert, on the other hand, write at their laptops. I’m a pacer, generally running dialogue anywhere but in my office, nailing down a run before getting it down. And, like Carl, when I sit down at the my laptop, I review and rewrite what I’ve got before moving on, advancing a few pages and retiring for the day, then repeating the process the following day. By the time the script is complete, I can recite that first scene line for line. Yes, it can be extremely demanding and incredibly taxing but, at the end of the day, it’s the constructive fan criticism that make it all worthwhile.
I headed down to Stage 4 today where Director Andy Mikita was overseeing one of the big green screen sequences in Space, episode #11. On the observation deck this afternoon: Patrick Gilmore (Volker), Julia Anderson (James), Jennifer Spence (Park), and various others taking in the pyrotechnic display. During a break in the action, Patrick regaled us with the tale of his first memorable Chris Judge experience way back on a little SG-1 episode called Morpheus in which he played the role of the sleepily ill-fated Bernie Ackerman. In addition to being a terrific actor (yet another instant of someone whose small initial role continues to grow as a result of some impressive performances), he’s a really good guy. And funny. You can check out his twitter here: http://twitter.com/PatrickGilmore
Today’s blog entry is dedicated to Das and her hubby who are mourning the loss of Cowboy. Also, belated condolences to Maggiemayday on the loss of her buddy Cricket.
June 16, 2009
Photos: Carl Binder, Ivon Bartok, Paul Mullie, Mark Savela, Alex Pappas, Patrick Gilmore, Jennifer Spence, Joe Mallozzi, Andy Mikita, Ashleigh
Today’s lunch room conversation centered on the frustrating, lonely, arduous, dispiriting, painful, occasionally lucrative job of the professional scriptwriter. How to best describe the scripting process? Well, have you ever spent a night in a feverish haze, tossing and turning, falling in and out of sleep, endlessly repeating variations of the same weird, maddening dream? It’s like that except that you’re not confined to your bedroom. No, so long as that script sits unfinished, it’ll weigh on your 24/7 – at the office, in the shower, while you’re having that long distance conversation with your mother about that celebrity dance show. We compared and contrasted our various writing processes. My writing partner Paul, for instance, has to work an entire scene out in his head before sitting down to write it. Brad and Robert, on the other hand, write at their laptops. I’m a pacer, generally running dialogue anywhere but in my office, nailing down a run before getting it down. And, like Carl, when I sit down at the my laptop, I review and rewrite what I’ve got before moving on, advancing a few pages and retiring for the day, then repeating the process the following day. By the time the script is complete, I can recite that first scene line for line. Yes, it can be extremely demanding and incredibly taxing but, at the end of the day, it’s the constructive fan criticism that make it all worthwhile.
I headed down to Stage 4 today where Director Andy Mikita was overseeing one of the big green screen sequences in Space, episode #11. On the observation deck this afternoon: Patrick Gilmore (Volker), Julia Anderson (James), Jennifer Spence (Park), and various others taking in the pyrotechnic display. During a break in the action, Patrick regaled us with the tale of his first memorable Chris Judge experience way back on a little SG-1 episode called Morpheus in which he played the role of the sleepily ill-fated Bernie Ackerman. In addition to being a terrific actor (yet another instant of someone whose small initial role continues to grow as a result of some impressive performances), he’s a really good guy. And funny. You can check out his twitter here: http://twitter.com/PatrickGilmore
Today’s blog entry is dedicated to Das and her hubby who are mourning the loss of Cowboy. Also, belated condolences to Maggiemayday on the loss of her buddy Cricket.
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