From Joe Mallozzi's Blog:
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I always loved episodes possessed of horror elements: our heroes, trapped somewhere, being hunted by some otherworldly creature. In this case, they’re stranded aboard a wraith ship on the ocean’s floor, being stalked by a mightily pissed off wraith queen. This is one of those rare opportunities in which Weir gets in on the action as well, joining the deep sea exploration of the presumably derelict ship. It’s also great to see Teyla kick ass – even if it is Ronon’s ass she’s kicking.
The one behind-the-scenes incident that I recall involved those unwieldy underwater suits McKay and Sheppard wear to access the neighboring ship. Because of the mechanics, it was always a big song and dance getting the actors in and out of the things. The suit would be prepped, they would crawl in, then the suits would be locked, effectively sealing the actors inside. It was an equally big song and dance to unlock the suits and open them again so, once locked, there was nowhere to go but forward – onto set and shooting. Well, it just so happened that Joe’s suit experienced some sort of malfunction. The resident suit expert hopped inside and made the necessary adjustments. The director was losing time and was eager to start shooting so, the second the guy had finished fixing the suit, he jumped out, Joe jumped back in, and the suit was sealed. Unfortunately, also sealed inside the suit with Joe was a wicked bout of gas the fixer had released. My fellow producer, John Smith, relayed the story over lunch, describing Joe’s muted, wild-eyed reaction after which John, in all seriousness, solemnly assured us: “But it wasn’t malicious.” The very notion that anyone assumed malice on the part of the farter made it even funnier.
SUBMERSION (318)
I always loved episodes possessed of horror elements: our heroes, trapped somewhere, being hunted by some otherworldly creature. In this case, they’re stranded aboard a wraith ship on the ocean’s floor, being stalked by a mightily pissed off wraith queen. This is one of those rare opportunities in which Weir gets in on the action as well, joining the deep sea exploration of the presumably derelict ship. It’s also great to see Teyla kick ass – even if it is Ronon’s ass she’s kicking.
The one behind-the-scenes incident that I recall involved those unwieldy underwater suits McKay and Sheppard wear to access the neighboring ship. Because of the mechanics, it was always a big song and dance getting the actors in and out of the things. The suit would be prepped, they would crawl in, then the suits would be locked, effectively sealing the actors inside. It was an equally big song and dance to unlock the suits and open them again so, once locked, there was nowhere to go but forward – onto set and shooting. Well, it just so happened that Joe’s suit experienced some sort of malfunction. The resident suit expert hopped inside and made the necessary adjustments. The director was losing time and was eager to start shooting so, the second the guy had finished fixing the suit, he jumped out, Joe jumped back in, and the suit was sealed. Unfortunately, also sealed inside the suit with Joe was a wicked bout of gas the fixer had released. My fellow producer, John Smith, relayed the story over lunch, describing Joe’s muted, wild-eyed reaction after which John, in all seriousness, solemnly assured us: “But it wasn’t malicious.” The very notion that anyone assumed malice on the part of the farter made it even funnier.
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