Stargate: Continuum / Atlantis / Sanctuary - GateWorld: Martin Wood Video Interview Part 2
From GateWorld:
(Please follow the link to view the video and/or read the transcript.)
MAN OF VISION
GateWorld talks with Martin Wood
Martin Wood has been involved with Stargate since the very first season of SG-1 and has directed nearly a quarter of the franchise. GateWorld has considered itself long overdue for an in-depth discussion with this influential producer. We spoke with him at the Stage 3 Media offices earlier this year.
In Part Two of our video interview, GateWorld talks with Wood about some of his favorite scenes from Stargate Continuum, memorable shows he directed over his decade-long run with the franchise, and his new personal frontiers with Sanctuary.
GateWorld's interview with Martin runs approximately 19 minutes. The video requires QuickTime 7.0 or higher. The interview is also available at GateWorld Play! Rather not view the video? It's also transcribed below!
Check out Part One of our interview here!
A brief excerpt:
W: What do you think are going to be some of your favorite Sanctuary episodes? They're all you, right?
MW: Sanctuary is a different animal because the germ for it started down here, and we built it up together, Amanda and Damian and I, and Sam Egan is a part of that too. There's four of us that will sit in here and start battling it out about what the world is going to be, and the coolest part about creating something is that you're actually talking about what the world is, what the rules are.
I sat in here one day and said "No magic. We don't have any magic." And everybody fought that and came around to the point where you have to have rules like that. You start looking at some of the things I know Brad and Robert and Paul and Joe would love to not be part of the mythology of Stargate and you learn. "No, don't ever shoot anybody three times with a zat'ni'katel. That's got to go out."
Beaming technology, which changes the way that your whole mythology has to move. As soon as you inject something like that in now you have to write around it.
From GateWorld:
(Please follow the link to view the video and/or read the transcript.)
MAN OF VISION
GateWorld talks with Martin Wood
Martin Wood has been involved with Stargate since the very first season of SG-1 and has directed nearly a quarter of the franchise. GateWorld has considered itself long overdue for an in-depth discussion with this influential producer. We spoke with him at the Stage 3 Media offices earlier this year.
In Part Two of our video interview, GateWorld talks with Wood about some of his favorite scenes from Stargate Continuum, memorable shows he directed over his decade-long run with the franchise, and his new personal frontiers with Sanctuary.
GateWorld's interview with Martin runs approximately 19 minutes. The video requires QuickTime 7.0 or higher. The interview is also available at GateWorld Play! Rather not view the video? It's also transcribed below!
Check out Part One of our interview here!
A brief excerpt:
W: What do you think are going to be some of your favorite Sanctuary episodes? They're all you, right?
MW: Sanctuary is a different animal because the germ for it started down here, and we built it up together, Amanda and Damian and I, and Sam Egan is a part of that too. There's four of us that will sit in here and start battling it out about what the world is going to be, and the coolest part about creating something is that you're actually talking about what the world is, what the rules are.
I sat in here one day and said "No magic. We don't have any magic." And everybody fought that and came around to the point where you have to have rules like that. You start looking at some of the things I know Brad and Robert and Paul and Joe would love to not be part of the mythology of Stargate and you learn. "No, don't ever shoot anybody three times with a zat'ni'katel. That's got to go out."
Beaming technology, which changes the way that your whole mythology has to move. As soon as you inject something like that in now you have to write around it.
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