http://josephmallozzi.wordpress.com/...tage-3-part-1/
September 14, 2008 - Part 2
Idonotlikegreeneggsandham writes: “Do you only consult the writers, or have you ever been involved in aiding directors, actors, VFX, SFX, production designers etc. on, for instance, how something would really explode, what that level of energy would, in reality, do to the human body, how to deliver a particular line, or what a prop or set dressing should actually look like?”
Not officially, but everyone on set is irrepressibly curious. This means that if I’m around, someone is bound to ask me what it would “really” be like. Sometimes it’s the directors, sometimes it’s the sound guys. Mostly, it’s simple curiosity, but occasionally it’s to make sure the science is close enough to be realistic. When I first started, most people I talked to on set were surprised to learn that they were doing a better job on the science than they thought they were.
Idonotlikegreeneggsandham writes: “What was the script that gave you the biggest headache - either in terms of how persistent a writer was in including a partcular part, or how complicated a particular physical concept was?
It doesn’t show up on screen, but any episode where the science isn’t behaving properly will leave me with an unshakable urge to search out some sort of silent explanation for what’s going on (folks pointed some of those moments out in the questions in Section Four). A packet of air is undergoing huge pressure changes without changing shape? To keep PV = nRT, the temperature is fluctuating right along with it but our heroes are too tough to cringe when handling barbecued corn so they won’t flinch now. A black hole is more massive than the star it collapsed from? There must have been some dark matter destabilized by the transition that added to the mass. Really. At least, that’s what I think very, very loudly when watching!
antisocialbutterflie writes: “Have you ever had to shoot down an entire script idea because the science is in no way feasible?”
Montrealer writes: “Are there any occasions that you have to remind a writer that Atlantis is a SciFi show instead of a fantasy show?
Idonotlikegreeneggsandham writes: “Have there been any scripts (you don’t have to mention any names!) that have come across your desk where the science “fact” has been so totally off the mark that you’ve told the writer to go away and drop the story completely or entirely re-write it? And what were the concepts that they… uh, “got wrong”?”
Nope, I suspect that happens hidden away in the writer’s corral. If something ever did pop up, it would be more my job to find a silent explanation for what was going on to make it plausible and then work that explanation into the equations so motivated and curious geeks can spot the hints explaining how it’s not so far-fetched after all.
Idonotlikegreeneggsandham writes: “How much leeway to you tend to “give” the writers with their scripts? Do you draw any “DO NOT CROSS, WILL BE CRUCIFIED BY SCIENTIFIC COMMUNITY” lines, and have there been any broadcast episodes that you’ve been completely “against” because of scientific inaccuracies?”
Again, these decisions are made way before scripts get to me, but in my opinion the science community as a whole embraces science fiction. The complaints I hear are never over the big exceptions like teleportation or faster-than-light travel; it’s more an irritation at unscientific details that are unnecessary to the plot.
BatesianMimic writes: “Have you found that the scripts that cross your desk need quite a lot of work before they resemble something that could remotely resemble actuality. Also, would you call your job creative science interpreting, or something else?”
I consider this a science outreach job. When I’m on-set, I’m doing outreach by answering questions and providing a real-life example of a friendly, articulate scientist (I hope!). By providing real equations in the shows, I’m doing outreach by ensuring curious viewers have a starting-point to explore unusual applications of known science. To me, science fiction is an amazing outreach tool for science education, acting as an inspiration and providing the freedom to explore science beyond textbooks.
Assorted questioners asked: “Which writer or producer is the most or least science-competent?”
I’ve never really kept track, but I think I’ll start. Maybe I’ll award “Congratulations! You pass scifi science 101!” certificates at the end of the season…
Section Two: How did you get the job & do you work for other shows?
Thornyrose writes: “How did you land a job as consultant on Atlantis?”
NOLA-Lib writes: “And, how did you get your job?”
ytimynona writes: “How did you get the job as physics consultant???”
Luck!
In Season 3, Stargate asked the physics department at UBC for a string theorist, and no one was responding. When I heard about it, I didn’t apply as I was a lowly geophysicist (scientists are weird in their hierarchy — I do practical things so I’m lower down than the purely theoretical) but I insisted that Steven Conboy, a string theorist at Green College, call in. He worked for a season, then left town. He forgot to tell Stargate where he went so they came looking for him at Green College. By this time I’d talked to Steven enough to realize that Stargate really needed just a physicist and not specifically a string theorist, so I jumped at the chance as soon as I heard. I’ve been working for them ever since, and I make sure they always know how to contact me.
Henry writes: “How did you get this awesome job? The Physics Department here at UBC sometimes mention jobs like yours when explaining “what you can do with a Physics degree” but they never tell us how to do it!”
Mine! It’s all mine!
When Steven moved out of Green College, my room mate inherited his armchair, and I inherited his job. I guess that means the recommended technique for getting this job is to be at the other end of the phone when Stargate comes calling for me if I’m out of town…
Cat4444 writes: “How do you become a physics consultant for a TV show, anyway? Did you put up your hand and say, “Hey, guys, over here! Your physics are flawed, and I can fix them for you!” Did the producers come to you looking perplexed and asking if something they wanted to do was feasible? Or did they make you take the ignominious step of having to fill out an application form, do the interview bit, then wait to hear whether you’d gotten the job?”
I stepped in when the previous consultant moved on. I called in, and was at work the next morning. I know poor Andrash was inundated with phone calls but I don’t know how or why he picked me. After my first day I guess Evil Kenny liked my work because they kept calling me back.
Terry writes: “What led you to become a consultant on a tv show?”
As for why I took the job, what fan would possibly resist? I love scifi, and I think it’s a wonderful tool for getting people to think critically about science. If the folks putting Stargate together want help getting more accurate science into their show or hiding easter eggs for the science-geeks in their audience, I’m all for helping any way I can.
Astrumporta writes: “Were you brought on board because of your physics knowledge or was that a skill that came to use later?”
Forget that whole story about Steven; what really happened is that Joe decided that McKay should have a super-long scarf a la “http://www.doctorwhoscarf.com/” Dr. Who, but patterned in binary like that one in ”http://www.knitty.com/ISSUEwinter06/PATTbinary.html“, so they brought me on as an extremely geeky knitter with a habit of accidentally memorizing ASCII binary code. It was only after Baba-lou was buried in an avalanche of weird food resulting from a catastrophic collapse of leftovers from Joe’s videos and I managed to rescue him using only the power of physics, 46 pool cues, and some gaffers tape, that they decided to use my physics skills for the greater good of Stargate. After my very first day as a physics consultant I was nearly fired on account of unrealistically neat handwriting, but after a severe scolding I managed to throw away years of conditioning and learned to scribble messily enough to impersonate the scrawl of a genius.
At least, that’s how I remember it.
Terry writes: “Do you consult for other productions?”
Henry writes: “Do you work on other sci-fi shows too?”
“Yes, please!”
Not yet, but with all the scifi in Vancouver I can hope! At the moment I need to mostly be a student, but once I finish my thesis maybe the executive producers will smile down on me for more gigs.
Sachi writes: “How long have you been a physics consultant for Stargate and do you also act as a consultant for any other TV series or movies?”
Cat4444 writes: “Have you been the physics consultant with SGA since the beginnning, or did you come on board later?”
Later. I’ve been doing occasional episodes in Seasons 4 and 5. In season 3, it was string theorist Steven Conboy, and I don’t know who was doing it before that.
Cat4444 writes: “Did you consult on any of the SG-1 episodes also?”
Nope.
Cat4444 writes: “Did you have to stomp on any colleagues to get the job as physics consultant?”
Nope. To the contrary, I originally passed up applying for the job in favour of a friend, and when I eventually got it some of my friends on the more mathematical end of the physics-spectrum helped make sure I was sufficiently up to speed on my string theory to qualify.
I haven’t ever witnessed stomping in physics (or in science at all). Most experiments these days are far too large for any one person to do, and the entire process of research is building on each other’s results, so the culture is pretty collaborative. Maybe I’ve been lucky, maybe people just like to play nice in front of me, but the cooperative vibe (instead of competitive) is one of the aspects of both science and Stargate that draw me to them.
September 14, 2008 - Part 2
Idonotlikegreeneggsandham writes: “Do you only consult the writers, or have you ever been involved in aiding directors, actors, VFX, SFX, production designers etc. on, for instance, how something would really explode, what that level of energy would, in reality, do to the human body, how to deliver a particular line, or what a prop or set dressing should actually look like?”
Not officially, but everyone on set is irrepressibly curious. This means that if I’m around, someone is bound to ask me what it would “really” be like. Sometimes it’s the directors, sometimes it’s the sound guys. Mostly, it’s simple curiosity, but occasionally it’s to make sure the science is close enough to be realistic. When I first started, most people I talked to on set were surprised to learn that they were doing a better job on the science than they thought they were.
Idonotlikegreeneggsandham writes: “What was the script that gave you the biggest headache - either in terms of how persistent a writer was in including a partcular part, or how complicated a particular physical concept was?
It doesn’t show up on screen, but any episode where the science isn’t behaving properly will leave me with an unshakable urge to search out some sort of silent explanation for what’s going on (folks pointed some of those moments out in the questions in Section Four). A packet of air is undergoing huge pressure changes without changing shape? To keep PV = nRT, the temperature is fluctuating right along with it but our heroes are too tough to cringe when handling barbecued corn so they won’t flinch now. A black hole is more massive than the star it collapsed from? There must have been some dark matter destabilized by the transition that added to the mass. Really. At least, that’s what I think very, very loudly when watching!
antisocialbutterflie writes: “Have you ever had to shoot down an entire script idea because the science is in no way feasible?”
Montrealer writes: “Are there any occasions that you have to remind a writer that Atlantis is a SciFi show instead of a fantasy show?
Idonotlikegreeneggsandham writes: “Have there been any scripts (you don’t have to mention any names!) that have come across your desk where the science “fact” has been so totally off the mark that you’ve told the writer to go away and drop the story completely or entirely re-write it? And what were the concepts that they… uh, “got wrong”?”
Nope, I suspect that happens hidden away in the writer’s corral. If something ever did pop up, it would be more my job to find a silent explanation for what was going on to make it plausible and then work that explanation into the equations so motivated and curious geeks can spot the hints explaining how it’s not so far-fetched after all.
Idonotlikegreeneggsandham writes: “How much leeway to you tend to “give” the writers with their scripts? Do you draw any “DO NOT CROSS, WILL BE CRUCIFIED BY SCIENTIFIC COMMUNITY” lines, and have there been any broadcast episodes that you’ve been completely “against” because of scientific inaccuracies?”
Again, these decisions are made way before scripts get to me, but in my opinion the science community as a whole embraces science fiction. The complaints I hear are never over the big exceptions like teleportation or faster-than-light travel; it’s more an irritation at unscientific details that are unnecessary to the plot.
BatesianMimic writes: “Have you found that the scripts that cross your desk need quite a lot of work before they resemble something that could remotely resemble actuality. Also, would you call your job creative science interpreting, or something else?”
I consider this a science outreach job. When I’m on-set, I’m doing outreach by answering questions and providing a real-life example of a friendly, articulate scientist (I hope!). By providing real equations in the shows, I’m doing outreach by ensuring curious viewers have a starting-point to explore unusual applications of known science. To me, science fiction is an amazing outreach tool for science education, acting as an inspiration and providing the freedom to explore science beyond textbooks.
Assorted questioners asked: “Which writer or producer is the most or least science-competent?”
I’ve never really kept track, but I think I’ll start. Maybe I’ll award “Congratulations! You pass scifi science 101!” certificates at the end of the season…
Section Two: How did you get the job & do you work for other shows?
Thornyrose writes: “How did you land a job as consultant on Atlantis?”
NOLA-Lib writes: “And, how did you get your job?”
ytimynona writes: “How did you get the job as physics consultant???”
Luck!
In Season 3, Stargate asked the physics department at UBC for a string theorist, and no one was responding. When I heard about it, I didn’t apply as I was a lowly geophysicist (scientists are weird in their hierarchy — I do practical things so I’m lower down than the purely theoretical) but I insisted that Steven Conboy, a string theorist at Green College, call in. He worked for a season, then left town. He forgot to tell Stargate where he went so they came looking for him at Green College. By this time I’d talked to Steven enough to realize that Stargate really needed just a physicist and not specifically a string theorist, so I jumped at the chance as soon as I heard. I’ve been working for them ever since, and I make sure they always know how to contact me.
Henry writes: “How did you get this awesome job? The Physics Department here at UBC sometimes mention jobs like yours when explaining “what you can do with a Physics degree” but they never tell us how to do it!”
Mine! It’s all mine!
When Steven moved out of Green College, my room mate inherited his armchair, and I inherited his job. I guess that means the recommended technique for getting this job is to be at the other end of the phone when Stargate comes calling for me if I’m out of town…
Cat4444 writes: “How do you become a physics consultant for a TV show, anyway? Did you put up your hand and say, “Hey, guys, over here! Your physics are flawed, and I can fix them for you!” Did the producers come to you looking perplexed and asking if something they wanted to do was feasible? Or did they make you take the ignominious step of having to fill out an application form, do the interview bit, then wait to hear whether you’d gotten the job?”
I stepped in when the previous consultant moved on. I called in, and was at work the next morning. I know poor Andrash was inundated with phone calls but I don’t know how or why he picked me. After my first day I guess Evil Kenny liked my work because they kept calling me back.
Terry writes: “What led you to become a consultant on a tv show?”
As for why I took the job, what fan would possibly resist? I love scifi, and I think it’s a wonderful tool for getting people to think critically about science. If the folks putting Stargate together want help getting more accurate science into their show or hiding easter eggs for the science-geeks in their audience, I’m all for helping any way I can.
Astrumporta writes: “Were you brought on board because of your physics knowledge or was that a skill that came to use later?”
Forget that whole story about Steven; what really happened is that Joe decided that McKay should have a super-long scarf a la “http://www.doctorwhoscarf.com/” Dr. Who, but patterned in binary like that one in ”http://www.knitty.com/ISSUEwinter06/PATTbinary.html“, so they brought me on as an extremely geeky knitter with a habit of accidentally memorizing ASCII binary code. It was only after Baba-lou was buried in an avalanche of weird food resulting from a catastrophic collapse of leftovers from Joe’s videos and I managed to rescue him using only the power of physics, 46 pool cues, and some gaffers tape, that they decided to use my physics skills for the greater good of Stargate. After my very first day as a physics consultant I was nearly fired on account of unrealistically neat handwriting, but after a severe scolding I managed to throw away years of conditioning and learned to scribble messily enough to impersonate the scrawl of a genius.
At least, that’s how I remember it.
Terry writes: “Do you consult for other productions?”
Henry writes: “Do you work on other sci-fi shows too?”
“Yes, please!”
Not yet, but with all the scifi in Vancouver I can hope! At the moment I need to mostly be a student, but once I finish my thesis maybe the executive producers will smile down on me for more gigs.
Sachi writes: “How long have you been a physics consultant for Stargate and do you also act as a consultant for any other TV series or movies?”
Cat4444 writes: “Have you been the physics consultant with SGA since the beginnning, or did you come on board later?”
Later. I’ve been doing occasional episodes in Seasons 4 and 5. In season 3, it was string theorist Steven Conboy, and I don’t know who was doing it before that.
Cat4444 writes: “Did you consult on any of the SG-1 episodes also?”
Nope.
Cat4444 writes: “Did you have to stomp on any colleagues to get the job as physics consultant?”
Nope. To the contrary, I originally passed up applying for the job in favour of a friend, and when I eventually got it some of my friends on the more mathematical end of the physics-spectrum helped make sure I was sufficiently up to speed on my string theory to qualify.
I haven’t ever witnessed stomping in physics (or in science at all). Most experiments these days are far too large for any one person to do, and the entire process of research is building on each other’s results, so the culture is pretty collaborative. Maybe I’ve been lucky, maybe people just like to play nice in front of me, but the cooperative vibe (instead of competitive) is one of the aspects of both science and Stargate that draw me to them.
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