All four of my novels, both coauthored and solo, were pretty carefully outlined from the start. It's practically required when tag-teaming, just to make sure both authors are working toward the same basic picture. Also, I find it's a good way to gauge the flow and pace of the story, and it helps me keep concepts organized in my mind so I don't repeat an expository point (or forget to make the point altogether).
Like you said, Bekah, sometimes a scene will come together in a way I didn't anticipate. Or, like Karen said, we'll realize we've written ourselves into a logical corner and have to rethink. Getting out of those little jams and redirecting the story where it needs to go -- well, I'm not sure I can explain how to do that, exactly, other than to step back and look at the big picture of what needs to happen overall ... and then wait for inspiration to strike your plot-savvy coauthor. 
All four of my novels, both coauthored and solo, were pretty carefully outlined from the start. It's practically required when tag-teaming, just to make sure both authors are working toward the same basic picture. Also, I find it's a good way to gauge the flow and pace of the story, and it helps me keep concepts organized in my mind so I don't repeat an expository point (or forget to make the point altogether). Like you said, Bekah, sometimes a scene will come together in a way I didn't anticipate. Or, like Karen said, we'll realize we've written ourselves into a logical corner and have to rethink. Getting out of those little jams and redirecting the story where it needs to go -- well, I'm not sure I can explain how to do that, exactly, other than to step back and look at the big picture of what needs to happen overall ... and then wait for inspiration to strike your plot-savvy coauthor. 
and you'll also get that that copy of Mirror, Mirror. The copies for Gatecon arrived last week, fresh off the press 
and you'll also get that that copy of Mirror, Mirror. The copies for Gatecon arrived last week, fresh off the press
Thus, here are a couple of tidbits from those first few pages about the approach Sonny and I take. In general, she writes chapter skeletons -- far too developed to be called outlines -- that get us from point A to B to C; I come in behind those and write the specific dialogue and some character bits; and then we bounce each chapter back and forth a few times, tweaking each other's work, until it's in decent shape. Although the Iraq scenes required a fair bit of input from me, or more specifically from my Air Force pals.
Anyway, I think it is interesting how you two collaborate and compliment each other's writing styles. Cool!
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