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    - "I don't suppose you'd find it up to the standards of your outings. More conversation and somewhat less petty theft and getting hit with pool cues." ('Shindig'). (46)
    - "Oh, do I ever. Funny and sexy. You have no idea. And you never will." ('Out of Gas'). (32)
    - "I wish you hundreds of fat children." ('Our Mrs Reynolds'). (29)
    - "Right. You're a criminal mastermind. What was the last cargo we snuck past the Alliance to transport?" ('Trash'). (4)
    - "If I choose a woman, she tends to be extraordinary in some way. And, the fact is, I occasionally have the exact same need you do. One cannot always be oneself in the company of men." ('War Stories'). (2)
    - "As with other situations, the key seems to be giving Jayne a heavy stick and standing back." ('Shindig'). (2)
    - "Every well-bred petty crook knows that small concealable weapons always go to the far left of the place setting." ('Heart of Gold'). (2)
    sigpic
    My short movie "Red Bag" / The Scifi Guys Podcast / My Twitter account

    Comment


      - "I don't suppose you'd find it up to the standards of your outings. More conversation and somewhat less petty theft and getting hit with pool cues." ('Shindig'). (46)
      - "Oh, do I ever. Funny and sexy. You have no idea. And you never will." ('Out of Gas'). (32)
      - "I wish you hundreds of fat children." ('Our Mrs Reynolds'). (30)
      - "Right. You're a criminal mastermind. What was the last cargo we snuck past the Alliance to transport?" ('Trash'). (4)
      - "If I choose a woman, she tends to be extraordinary in some way. And, the fact is, I occasionally have the exact same need you do. One cannot always be oneself in the company of men." ('War Stories'). (2)
      - "As with other situations, the key seems to be giving Jayne a heavy stick and standing back." ('Shindig'). (2)
      - "Every well-bred petty crook knows that small concealable weapons always go to the far left of the place setting." ('Heart of Gold'). (2)
      People assume that time is a strict progression of cause to effect, but *actually* from a non-linear, non-subjective viewpoint... it happens to kinda look like the name 'Jeremy Bearimy' in cursive English.

      Comment


        - "I don't suppose you'd find it up to the standards of your outings. More conversation and somewhat less petty theft and getting hit with pool cues." ('Shindig'). (47)+
        - "Oh, do I ever. Funny and sexy. You have no idea. And you never will." ('Out of Gas'). (32)
        - "I wish you hundreds of fat children." ('Our Mrs Reynolds'). (30)
        - "Right. You're a criminal mastermind. What was the last cargo we snuck past the Alliance to transport?" ('Trash'). (4)
        - "If I choose a woman, she tends to be extraordinary in some way. And, the fact is, I occasionally have the exact same need you do. One cannot always be oneself in the company of men." ('War Stories'). (2)
        - "As with other situations, the key seems to be giving Jayne a heavy stick and standing back." ('Shindig'). (2)
        - "Every well-bred petty crook knows that small concealable weapons always go to the far left of the place setting." ('Heart of Gold'). (2)

        Comment


          - "I don't suppose you'd find it up to the standards of your outings. More conversation and somewhat less petty theft and getting hit with pool cues." ('Shindig'). (47)
          - "Oh, do I ever. Funny and sexy. You have no idea. And you never will." ('Out of Gas'). (32)
          - "I wish you hundreds of fat children." ('Our Mrs Reynolds'). (31)
          - "Right. You're a criminal mastermind. What was the last cargo we snuck past the Alliance to transport?" ('Trash'). (4)
          - "If I choose a woman, she tends to be extraordinary in some way. And, the fact is, I occasionally have the exact same need you do. One cannot always be oneself in the company of men." ('War Stories'). (2)
          - "As with other situations, the key seems to be giving Jayne a heavy stick and standing back." ('Shindig'). (2)
          - "Every well-bred petty crook knows that small concealable weapons always go to the far left of the place setting." ('Heart of Gold'). (2)
          People assume that time is a strict progression of cause to effect, but *actually* from a non-linear, non-subjective viewpoint... it happens to kinda look like the name 'Jeremy Bearimy' in cursive English.

          Comment


            - "I don't suppose you'd find it up to the standards of your outings. More conversation and somewhat less petty theft and getting hit with pool cues." ('Shindig'). (47)
            - "Oh, do I ever. Funny and sexy. You have no idea. And you never will." ('Out of Gas'). (33)
            - "I wish you hundreds of fat children." ('Our Mrs Reynolds'). (31)
            - "Right. You're a criminal mastermind. What was the last cargo we snuck past the Alliance to transport?" ('Trash'). (4)
            - "If I choose a woman, she tends to be extraordinary in some way. And, the fact is, I occasionally have the exact same need you do. One cannot always be oneself in the company of men." ('War Stories'). (2)
            - "As with other situations, the key seems to be giving Jayne a heavy stick and standing back." ('Shindig'). (2)
            - "Every well-bred petty crook knows that small concealable weapons always go to the far left of the place setting." ('Heart of Gold'). (2)
            sigpic
            My short movie "Red Bag" / The Scifi Guys Podcast / My Twitter account

            Comment


              - "I don't suppose you'd find it up to the standards of your outings. More conversation and somewhat less petty theft and getting hit with pool cues." ('Shindig'). (48)
              - "Oh, do I ever. Funny and sexy. You have no idea. And you never will." ('Out of Gas'). (33)
              - "I wish you hundreds of fat children." ('Our Mrs Reynolds'). (31)
              - "Right. You're a criminal mastermind. What was the last cargo we snuck past the Alliance to transport?" ('Trash'). (4)
              - "If I choose a woman, she tends to be extraordinary in some way. And, the fact is, I occasionally have the exact same need you do. One cannot always be oneself in the company of men." ('War Stories'). (2)
              - "As with other situations, the key seems to be giving Jayne a heavy stick and standing back." ('Shindig'). (2)
              - "Every well-bred petty crook knows that small concealable weapons always go to the far left of the place setting." ('Heart of Gold'). (2)
              sigpic
              Save a Man-of-War, ride a Commodore.

              Comment


                - "I don't suppose you'd find it up to the standards of your outings. More conversation and somewhat less petty theft and getting hit with pool cues." ('Shindig'). (49)+
                - "Oh, do I ever. Funny and sexy. You have no idea. And you never will." ('Out of Gas'). (33)
                - "I wish you hundreds of fat children." ('Our Mrs Reynolds'). (31)
                - "Right. You're a criminal mastermind. What was the last cargo we snuck past the Alliance to transport?" ('Trash'). (4)
                - "If I choose a woman, she tends to be extraordinary in some way. And, the fact is, I occasionally have the exact same need you do. One cannot always be oneself in the company of men." ('War Stories'). (2)
                - "As with other situations, the key seems to be giving Jayne a heavy stick and standing back." ('Shindig'). (2)
                - "Every well-bred petty crook knows that small concealable weapons always go to the far left of the place setting." ('Heart of Gold'). (2)

                Comment


                  - "I don't suppose you'd find it up to the standards of your outings. More conversation and somewhat less petty theft and getting hit with pool cues." ('Shindig'). (49)
                  - "Oh, do I ever. Funny and sexy. You have no idea. And you never will." ('Out of Gas'). (34)
                  - "I wish you hundreds of fat children." ('Our Mrs Reynolds'). (31)
                  - "Right. You're a criminal mastermind. What was the last cargo we snuck past the Alliance to transport?" ('Trash'). (4)
                  - "If I choose a woman, she tends to be extraordinary in some way. And, the fact is, I occasionally have the exact same need you do. One cannot always be oneself in the company of men." ('War Stories'). (2)
                  - "As with other situations, the key seems to be giving Jayne a heavy stick and standing back." ('Shindig'). (2)
                  - "Every well-bred petty crook knows that small concealable weapons always go to the far left of the place setting." ('Heart of Gold'). (2)
                  sigpic
                  My short movie "Red Bag" / The Scifi Guys Podcast / My Twitter account

                  Comment


                    - "I don't suppose you'd find it up to the standards of your outings. More conversation and somewhat less petty theft and getting hit with pool cues." ('Shindig'). (49)
                    - "Oh, do I ever. Funny and sexy. You have no idea. And you never will." ('Out of Gas'). (34)
                    - "I wish you hundreds of fat children." ('Our Mrs Reynolds'). (32)
                    - "Right. You're a criminal mastermind. What was the last cargo we snuck past the Alliance to transport?" ('Trash'). (4)
                    - "If I choose a woman, she tends to be extraordinary in some way. And, the fact is, I occasionally have the exact same need you do. One cannot always be oneself in the company of men." ('War Stories'). (2)
                    - "As with other situations, the key seems to be giving Jayne a heavy stick and standing back." ('Shindig'). (2)
                    - "Every well-bred petty crook knows that small concealable weapons always go to the far left of the place setting." ('Heart of Gold'). (2)
                    People assume that time is a strict progression of cause to effect, but *actually* from a non-linear, non-subjective viewpoint... it happens to kinda look like the name 'Jeremy Bearimy' in cursive English.

                    Comment


                      - "I don't suppose you'd find it up to the standards of your outings. More conversation and somewhat less petty theft and getting hit with pool cues." ('Shindig'). (49)
                      - "Oh, do I ever. Funny and sexy. You have no idea. And you never will." ('Out of Gas'). (35)
                      - "I wish you hundreds of fat children." ('Our Mrs Reynolds'). (32)
                      - "Right. You're a criminal mastermind. What was the last cargo we snuck past the Alliance to transport?" ('Trash'). (4)
                      - "If I choose a woman, she tends to be extraordinary in some way. And, the fact is, I occasionally have the exact same need you do. One cannot always be oneself in the company of men." ('War Stories'). (2)
                      - "As with other situations, the key seems to be giving Jayne a heavy stick and standing back." ('Shindig'). (2)
                      - "Every well-bred petty crook knows that small concealable weapons always go to the far left of the place setting." ('Heart of Gold'). (2)
                      sigpic
                      My short movie "Red Bag" / The Scifi Guys Podcast / My Twitter account

                      Comment


                        - "I don't suppose you'd find it up to the standards of your outings. More conversation and somewhat less petty theft and getting hit with pool cues." ('Shindig'). (49)
                        - "Oh, do I ever. Funny and sexy. You have no idea. And you never will." ('Out of Gas'). (35)
                        - "I wish you hundreds of fat children." ('Our Mrs Reynolds'). (33)
                        - "Right. You're a criminal mastermind. What was the last cargo we snuck past the Alliance to transport?" ('Trash'). (4)
                        - "If I choose a woman, she tends to be extraordinary in some way. And, the fact is, I occasionally have the exact same need you do. One cannot always be oneself in the company of men." ('War Stories'). (2)
                        - "As with other situations, the key seems to be giving Jayne a heavy stick and standing back." ('Shindig'). (2)
                        - "Every well-bred petty crook knows that small concealable weapons always go to the far left of the place setting." ('Heart of Gold'). (2)
                        People assume that time is a strict progression of cause to effect, but *actually* from a non-linear, non-subjective viewpoint... it happens to kinda look like the name 'Jeremy Bearimy' in cursive English.

                        Comment


                          1st Place - "I don't suppose you'd find it up to the standards of your outings. More conversation and somewhat less petty theft and getting hit with pool cues." ('Shindig'). (50)+


                          - "Oh, do I ever. Funny and sexy. You have no idea. And you never will." ('Out of Gas'). (35)
                          - "I wish you hundreds of fat children." ('Our Mrs Reynolds'). (33)
                          - "Right. You're a criminal mastermind. What was the last cargo we snuck past the Alliance to transport?" ('Trash'). (4)
                          - "If I choose a woman, she tends to be extraordinary in some way. And, the fact is, I occasionally have the exact same need you do. One cannot always be oneself in the company of men." ('War Stories'). (2)
                          - "As with other situations, the key seems to be giving Jayne a heavy stick and standing back." ('Shindig'). (2)
                          - "Every well-bred petty crook knows that small concealable weapons always go to the far left of the place setting." ('Heart of Gold'). (2)

                          Comment


                            1st Place - "I don't suppose you'd find it up to the standards of your outings. More conversation and somewhat less petty theft and getting hit with pool cues." ('Shindig'). (50)


                            - "Oh, do I ever. Funny and sexy. You have no idea. And you never will." ('Out of Gas'). (35)
                            - "I wish you hundreds of fat children." ('Our Mrs Reynolds'). (34)
                            - "Right. You're a criminal mastermind. What was the last cargo we snuck past the Alliance to transport?" ('Trash'). (4)
                            - "If I choose a woman, she tends to be extraordinary in some way. And, the fact is, I occasionally have the exact same need you do. One cannot always be oneself in the company of men." ('War Stories'). (2)
                            - "As with other situations, the key seems to be giving Jayne a heavy stick and standing back." ('Shindig'). (2)
                            - "Every well-bred petty crook knows that small concealable weapons always go to the far left of the place setting." ('Heart of Gold'). (2)
                            People assume that time is a strict progression of cause to effect, but *actually* from a non-linear, non-subjective viewpoint... it happens to kinda look like the name 'Jeremy Bearimy' in cursive English.

                            Comment


                              1st Place - "I don't suppose you'd find it up to the standards of your outings. More conversation and somewhat less petty theft and getting hit with pool cues." ('Shindig'). (50)


                              - "Oh, do I ever. Funny and sexy. You have no idea. And you never will." ('Out of Gas'). (36)
                              - "I wish you hundreds of fat children." ('Our Mrs Reynolds'). (34)
                              - "Right. You're a criminal mastermind. What was the last cargo we snuck past the Alliance to transport?" ('Trash'). (4)
                              - "If I choose a woman, she tends to be extraordinary in some way. And, the fact is, I occasionally have the exact same need you do. One cannot always be oneself in the company of men." ('War Stories'). (2)
                              - "As with other situations, the key seems to be giving Jayne a heavy stick and standing back." ('Shindig'). (2)
                              - "Every well-bred petty crook knows that small concealable weapons always go to the far left of the place setting." ('Heart of Gold'). (2)
                              sigpic
                              My short movie "Red Bag" / The Scifi Guys Podcast / My Twitter account

                              Comment


                                1st Place - "I don't suppose you'd find it up to the standards of your outings. More conversation and somewhat less petty theft and getting hit with pool cues." ('Shindig'). (50)


                                - "Oh, do I ever. Funny and sexy. You have no idea. And you never will." ('Out of Gas'). (37)+
                                - "I wish you hundreds of fat children." ('Our Mrs Reynolds'). (34)
                                - "Right. You're a criminal mastermind. What was the last cargo we snuck past the Alliance to transport?" ('Trash'). (4)
                                - "If I choose a woman, she tends to be extraordinary in some way. And, the fact is, I occasionally have the exact same need you do. One cannot always be oneself in the company of men." ('War Stories'). (2)
                                - "As with other situations, the key seems to be giving Jayne a heavy stick and standing back." ('Shindig'). (2)
                                - "Every well-bred petty crook knows that small concealable weapons always go to the far left of the place setting." ('Heart of Gold'). (2)

                                Comment

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