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    #76
    -I don't suppose you'd find it up to the standards of your outings. More conversation and somewhat less petty theft and getting hit with pool cues." ('Shindig'). (33)+
    -"Oh, do I ever. Funny and sexy. You have no idea. And you never will." ('Out of Gas'). (17)
    - "I wish you hundreds of fat children." ('Our Mrs Reynolds'). (16)
    - "Right. You're a criminal mastermind. What was the last cargo we snuck past the Alliance to transport?" ('Trash'). (4)
    - "If I choose a woman, she tends to be extraordinary in some way. And, the fact is, I occasionally have the exact same need you do. One cannot always be oneself in the company of men." ('War Stories'). (2)
    - "As with other situations, the key seems to be giving Jayne a heavy stick and standing back." ('Shindig'). (2)

    Comment


      #77
      -I don't suppose you'd find it up to the standards of your outings. More conversation and somewhat less petty theft and getting hit with pool cues." ('Shindig'). (33)+
      -"Oh, do I ever. Funny and sexy. You have no idea. And you never will." ('Out of Gas'). (18)
      - "I wish you hundreds of fat children." ('Our Mrs Reynolds'). (16)
      - "Right. You're a criminal mastermind. What was the last cargo we snuck past the Alliance to transport?" ('Trash'). (4)
      - "If I choose a woman, she tends to be extraordinary in some way. And, the fact is, I occasionally have the exact same need you do. One cannot always be oneself in the company of men." ('War Stories'). (2)
      - "As with other situations, the key seems to be giving Jayne a heavy stick and standing back." ('Shindig'). (2)
      sigpic
      My short movie "Red Bag" / The Scifi Guys Podcast / My Twitter account

      Comment


        #78
        -I don't suppose you'd find it up to the standards of your outings. More conversation and somewhat less petty theft and getting hit with pool cues." ('Shindig'). (34)+
        -"Oh, do I ever. Funny and sexy. You have no idea. And you never will." ('Out of Gas'). (18)
        - "I wish you hundreds of fat children." ('Our Mrs Reynolds'). (16)
        - "Right. You're a criminal mastermind. What was the last cargo we snuck past the Alliance to transport?" ('Trash'). (4)
        - "If I choose a woman, she tends to be extraordinary in some way. And, the fact is, I occasionally have the exact same need you do. One cannot always be oneself in the company of men." ('War Stories'). (2)
        - "As with other situations, the key seems to be giving Jayne a heavy stick and standing back." ('Shindig'). (2)

        Comment


          #79
          -I don't suppose you'd find it up to the standards of your outings. More conversation and somewhat less petty theft and getting hit with pool cues." ('Shindig'). (34)
          -"Oh, do I ever. Funny and sexy. You have no idea. And you never will." ('Out of Gas'). (18)
          - "I wish you hundreds of fat children." ('Our Mrs Reynolds'). (17)
          - "Right. You're a criminal mastermind. What was the last cargo we snuck past the Alliance to transport?" ('Trash'). (4)
          - "If I choose a woman, she tends to be extraordinary in some way. And, the fact is, I occasionally have the exact same need you do. One cannot always be oneself in the company of men." ('War Stories'). (2)
          - "As with other situations, the key seems to be giving Jayne a heavy stick and standing back." ('Shindig'). (2)
          People assume that time is a strict progression of cause to effect, but *actually* from a non-linear, non-subjective viewpoint... it happens to kinda look like the name 'Jeremy Bearimy' in cursive English.

          Comment


            #80
            -I don't suppose you'd find it up to the standards of your outings. More conversation and somewhat less petty theft and getting hit with pool cues." ('Shindig'). (35)+
            -"Oh, do I ever. Funny and sexy. You have no idea. And you never will." ('Out of Gas'). (18)
            - "I wish you hundreds of fat children." ('Our Mrs Reynolds'). (17)
            - "Right. You're a criminal mastermind. What was the last cargo we snuck past the Alliance to transport?" ('Trash'). (4)
            - "If I choose a woman, she tends to be extraordinary in some way. And, the fact is, I occasionally have the exact same need you do. One cannot always be oneself in the company of men." ('War Stories'). (2)
            - "As with other situations, the key seems to be giving Jayne a heavy stick and standing back." ('Shindig'). (2)

            Comment


              #81
              -I don't suppose you'd find it up to the standards of your outings. More conversation and somewhat less petty theft and getting hit with pool cues." ('Shindig'). (35)
              -"Oh, do I ever. Funny and sexy. You have no idea. And you never will." ('Out of Gas'). (18)
              - "I wish you hundreds of fat children." ('Our Mrs Reynolds'). (18)
              - "Right. You're a criminal mastermind. What was the last cargo we snuck past the Alliance to transport?" ('Trash'). (4)
              - "If I choose a woman, she tends to be extraordinary in some way. And, the fact is, I occasionally have the exact same need you do. One cannot always be oneself in the company of men." ('War Stories'). (2)
              - "As with other situations, the key seems to be giving Jayne a heavy stick and standing back." ('Shindig'). (2)
              People assume that time is a strict progression of cause to effect, but *actually* from a non-linear, non-subjective viewpoint... it happens to kinda look like the name 'Jeremy Bearimy' in cursive English.

              Comment


                #82
                -I don't suppose you'd find it up to the standards of your outings. More conversation and somewhat less petty theft and getting hit with pool cues." ('Shindig'). (35)
                -"Oh, do I ever. Funny and sexy. You have no idea. And you never will." ('Out of Gas'). (19)
                - "I wish you hundreds of fat children." ('Our Mrs Reynolds'). (18)
                - "Right. You're a criminal mastermind. What was the last cargo we snuck past the Alliance to transport?" ('Trash'). (4)
                - "If I choose a woman, she tends to be extraordinary in some way. And, the fact is, I occasionally have the exact same need you do. One cannot always be oneself in the company of men." ('War Stories'). (2)
                - "As with other situations, the key seems to be giving Jayne a heavy stick and standing back." ('Shindig'). (2)
                sigpic
                My short movie "Red Bag" / The Scifi Guys Podcast / My Twitter account

                Comment


                  #83
                  - "I don't suppose you'd find it up to the standards of your outings. More conversation and somewhat less petty theft and getting hit with pool cues." ('Shindig'). (35)
                  - "Oh, do I ever. Funny and sexy. You have no idea. And you never will." ('Out of Gas'). (19)
                  - "I wish you hundreds of fat children." ('Our Mrs Reynolds'). (18)
                  - "Right. You're a criminal mastermind. What was the last cargo we snuck past the Alliance to transport?" ('Trash'). (4)
                  - "If I choose a woman, she tends to be extraordinary in some way. And, the fact is, I occasionally have the exact same need you do. One cannot always be oneself in the company of men." ('War Stories'). (2)
                  - "As with other situations, the key seems to be giving Jayne a heavy stick and standing back." ('Shindig'). (2)
                  - "Every well-bred petty crook knows that small concealable weapons always go to the far left of the place setting." ('Heart of Gold'). (1)+

                  Comment


                    #84
                    - "I don't suppose you'd find it up to the standards of your outings. More conversation and somewhat less petty theft and getting hit with pool cues." ('Shindig'). (35)
                    - "Oh, do I ever. Funny and sexy. You have no idea. And you never will." ('Out of Gas'). (19)
                    - "I wish you hundreds of fat children." ('Our Mrs Reynolds'). (19)
                    - "Right. You're a criminal mastermind. What was the last cargo we snuck past the Alliance to transport?" ('Trash'). (4)
                    - "If I choose a woman, she tends to be extraordinary in some way. And, the fact is, I occasionally have the exact same need you do. One cannot always be oneself in the company of men." ('War Stories'). (2)
                    - "As with other situations, the key seems to be giving Jayne a heavy stick and standing back." ('Shindig'). (2)
                    - "Every well-bred petty crook knows that small concealable weapons always go to the far left of the place setting." ('Heart of Gold'). (1)+
                    People assume that time is a strict progression of cause to effect, but *actually* from a non-linear, non-subjective viewpoint... it happens to kinda look like the name 'Jeremy Bearimy' in cursive English.

                    Comment


                      #85
                      - "I don't suppose you'd find it up to the standards of your outings. More conversation and somewhat less petty theft and getting hit with pool cues." ('Shindig'). (35)
                      - "Oh, do I ever. Funny and sexy. You have no idea. And you never will." ('Out of Gas'). (19)
                      - "I wish you hundreds of fat children." ('Our Mrs Reynolds'). (19)
                      - "Right. You're a criminal mastermind. What was the last cargo we snuck past the Alliance to transport?" ('Trash'). (4)
                      - "If I choose a woman, she tends to be extraordinary in some way. And, the fact is, I occasionally have the exact same need you do. One cannot always be oneself in the company of men." ('War Stories'). (2)
                      - "As with other situations, the key seems to be giving Jayne a heavy stick and standing back." ('Shindig'). (2)
                      - "Every well-bred petty crook knows that small concealable weapons always go to the far left of the place setting." ('Heart of Gold'). (2)+

                      Comment


                        #86
                        - "I don't suppose you'd find it up to the standards of your outings. More conversation and somewhat less petty theft and getting hit with pool cues." ('Shindig'). (35)
                        - "Oh, do I ever. Funny and sexy. You have no idea. And you never will." ('Out of Gas'). (20)
                        - "I wish you hundreds of fat children." ('Our Mrs Reynolds'). (19)
                        - "Right. You're a criminal mastermind. What was the last cargo we snuck past the Alliance to transport?" ('Trash'). (4)
                        - "If I choose a woman, she tends to be extraordinary in some way. And, the fact is, I occasionally have the exact same need you do. One cannot always be oneself in the company of men." ('War Stories'). (2)
                        - "As with other situations, the key seems to be giving Jayne a heavy stick and standing back." ('Shindig'). (2)
                        - "Every well-bred petty crook knows that small concealable weapons always go to the far left of the place setting." ('Heart of Gold'). (2)
                        sigpic
                        My short movie "Red Bag" / The Scifi Guys Podcast / My Twitter account

                        Comment


                          #87
                          - "I don't suppose you'd find it up to the standards of your outings. More conversation and somewhat less petty theft and getting hit with pool cues." ('Shindig'). (36)+
                          - "Oh, do I ever. Funny and sexy. You have no idea. And you never will." ('Out of Gas'). (20)
                          - "I wish you hundreds of fat children." ('Our Mrs Reynolds'). (19)
                          - "Right. You're a criminal mastermind. What was the last cargo we snuck past the Alliance to transport?" ('Trash'). (4)
                          - "If I choose a woman, she tends to be extraordinary in some way. And, the fact is, I occasionally have the exact same need you do. One cannot always be oneself in the company of men." ('War Stories'). (2)
                          - "As with other situations, the key seems to be giving Jayne a heavy stick and standing back." ('Shindig'). (2)
                          - "Every well-bred petty crook knows that small concealable weapons always go to the far left of the place setting." ('Heart of Gold'). (2)

                          Comment


                            #88
                            - "I don't suppose you'd find it up to the standards of your outings. More conversation and somewhat less petty theft and getting hit with pool cues." ('Shindig'). (36)
                            - "Oh, do I ever. Funny and sexy. You have no idea. And you never will." ('Out of Gas'). (20)
                            - "I wish you hundreds of fat children." ('Our Mrs Reynolds'). (20)
                            - "Right. You're a criminal mastermind. What was the last cargo we snuck past the Alliance to transport?" ('Trash'). (4)
                            - "If I choose a woman, she tends to be extraordinary in some way. And, the fact is, I occasionally have the exact same need you do. One cannot always be oneself in the company of men." ('War Stories'). (2)
                            - "As with other situations, the key seems to be giving Jayne a heavy stick and standing back." ('Shindig'). (2)
                            - "Every well-bred petty crook knows that small concealable weapons always go to the far left of the place setting." ('Heart of Gold'). (2)
                            People assume that time is a strict progression of cause to effect, but *actually* from a non-linear, non-subjective viewpoint... it happens to kinda look like the name 'Jeremy Bearimy' in cursive English.

                            Comment


                              #89
                              - "I don't suppose you'd find it up to the standards of your outings. More conversation and somewhat less petty theft and getting hit with pool cues." ('Shindig'). (37)+
                              - "Oh, do I ever. Funny and sexy. You have no idea. And you never will." ('Out of Gas'). (20)
                              - "I wish you hundreds of fat children." ('Our Mrs Reynolds'). (20)
                              - "Right. You're a criminal mastermind. What was the last cargo we snuck past the Alliance to transport?" ('Trash'). (4)
                              - "If I choose a woman, she tends to be extraordinary in some way. And, the fact is, I occasionally have the exact same need you do. One cannot always be oneself in the company of men." ('War Stories'). (2)
                              - "As with other situations, the key seems to be giving Jayne a heavy stick and standing back." ('Shindig'). (2)
                              - "Every well-bred petty crook knows that small concealable weapons always go to the far left of the place setting." ('Heart of Gold'). (2)

                              Comment


                                #90
                                - "I don't suppose you'd find it up to the standards of your outings. More conversation and somewhat less petty theft and getting hit with pool cues." ('Shindig'). (37)
                                - "Oh, do I ever. Funny and sexy. You have no idea. And you never will." ('Out of Gas'). (21)
                                - "I wish you hundreds of fat children." ('Our Mrs Reynolds'). (20)
                                - "Right. You're a criminal mastermind. What was the last cargo we snuck past the Alliance to transport?" ('Trash'). (4)
                                - "If I choose a woman, she tends to be extraordinary in some way. And, the fact is, I occasionally have the exact same need you do. One cannot always be oneself in the company of men." ('War Stories'). (2)
                                - "As with other situations, the key seems to be giving Jayne a heavy stick and standing back." ('Shindig'). (2)
                                - "Every well-bred petty crook knows that small concealable weapons always go to the far left of the place setting." ('Heart of Gold'). (2)
                                People assume that time is a strict progression of cause to effect, but *actually* from a non-linear, non-subjective viewpoint... it happens to kinda look like the name 'Jeremy Bearimy' in cursive English.

                                Comment

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