Gatefail 2009 (or, A Primer on Stories that Scream)
My thoughts are unkind. I will deliberate further before posting.
Contrary to the belief of the producers' defenders, there is little, as critics have pointed out, new or 'edgy' about the proposed Sabotage storyline. While body-swap technology may not be an everyday occurrence in the real world, creating situations in which women are sexually vulnerable, making Asian and Asian-descended women the locus of male sexual fantasy, and treating people with disabilities as though they are less than fully-realized human beings is all too repetitive and ordinary. Making a white, male character sexually vulnerable to another man would be new (and avoiding homophobic hysteria while doing so would be vital and refreshing); writing a female genius with a disability who saves the day without needing to be healed in order to do so would be entirely unexpected; writing a lesbian character whose sexual choices are absolutely respected by her co-workers would be practically revolutionary. Note that, in contradiction to the arguments made by some defenders of the show, none of these alternatives require the characters to be likeable in order to break out of racist, homophobic, sexist, and ableist tropes – the only requirement is to think of women as something other than victims of their physicality, men as something other than individuals owed sexual congress as a matter of existence, and non-white persons something other than vehicles for white folk to learn something about themselves.
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