INT. HALLWAY - HOPE ZION HOSPITAL - AFTERNOON
The hospital, in the middle of it's busy hustle as usual. We watch as a patient is rushed on a crash cart to the OR, possibly facing some deadly injury or requiring surgery. As he is rolled out, we notice someone; the ever so present MICHAEL SHANKS who stands there with a blank look in his face, watching as the cart rolls past him.
???????????????????????MICHAEL
?????????????Just another day as usual.
?????????????????(BEAT)
?????????????Watching as yet another guy gets rolled into
?????????????the OR while I'm stuck with nothing to do.
As we watch him stand around in the same suit he was in when he first fell into the coma, we notice someone appear suddenly to the right of him. MICHAEL turns his head to the left and his face shows clearly something is off.
???????????????????????MICHAEL (CONT'D)
?????????????You seem to be quite different from the rest
?????????????I've met.
We pan left to reveal what MICHAEL is looking at; with his green suit, red bowtie, yellow crown and elephant like features, it's clear who this guy is. He's BABAR, king of the elephants.
???????????????????????BABAR
??????????????????(scared)
?????????????Who... Who are you?-- what am I doing here?
???????????????????????MICHAEL
?????????????Calm down elephant thingy... You're either dead
?????????????or you're in a coma.
???????????????????????BABAR
?????????????But this can't be, I was about to see Flora's rowing team
?????????????and the next thing you know I end up here.
??????????????????(BEAT)
?????????????How can this be possible?
???????????????????????MICHAEL
?????????????It just is,-- I'm in a coma and I don't even know how
?????????????it's possible.
???????????????????????BABAR
?????????????But I didn't collapse or feel any pain, I just ended up here.
???????????????????????MICHAEL
?????????????Regardless of the reason, you're here and I'm here with you.
??????????????????(BEAT)
?????????????So you must have a name right?
???????????????????????BABAR
?????????????Well, I'm Babar, King of the Elephants-- and you.
???????????????????????MICHAEL
?????????????Michael Shanks, I used to be the chief of surgery but then I fell
?????????????into a coma and now I roam these halls meeting all sorts of people.
???????????????????????BABAR
?????????????Really, like who?
???????????????????????MICHAEL
?????????????Well I met this person that one time who was unusually excited at
?????????????the prospect of being dead.
???????????????????????BABAR
?????????????Well it's odd to be excited about the prospect of death.
???????????????????????MICHAEL
?????????????Tell me about it.
We focus as the two just shuffle around, all while the people pass them.
???????????????????????MICHAEL (CONT'D)
?????????????You know, by this time you should of moved on to the next
?????????????life by now.
???????????????????????BABAR
??????????????????(confused)
?????????????I should have?
???????????????????????MICHAEL
?????????????Well this is a purgatory of sorts and most of the people I meet are
?????????????either saved or move on to another life.
??????????????????(BEAT)
?????????????There must be some reason why you're still here...
???????????????????????BABAR
?????????????But I love my wife, I love my children,-- I love everyone really.
??????????????????(BEAT)
?????????????I should be able to move on to the next life effortlessly.
???????????????????????MICHAEL
?????????????But you're not able to.
The two stand around, thinking... Not being able to do much else.
???????????????????????BABAR
?????????????Do you think it's because I don't have a place to go?
???????????????????????MICHAEL
?????????????Why do you ask that?
???????????????????????BABAR
?????????????Well because I had a place in Celesteville. I had family, a wife, a
?????????????kingdom and then I suddenly find myself in a place where I have nothing.
??????????????????(BEAT)
?????????????Everything is unfamiliar to me here and I just have no idea where I
?????????????belong now.
???????????????????????MICHAEL
?????????????Well... certain people are able to find a place to move on to. Some move on to a
?????????????higher plane, others to another reality altogether.
??????????????????(BEAT)
?????????????I guess it's the matter of finding a place where you belong, not where you're
?????????????supposed to go.
???????????????????????BABAR
??????????????????(worried)
?????????????But where am I supposed to go?
???????????????????????MICHAEL
?????????????I don't know, if I knew how to get into my own body then I could certainly
?????????????answer your question.
???????????????????????BABAR
?????????????*sigh* So I'm stuck here for an indeterminable amount of time...
???????????????????????MICHAEL
??????????????????(happily)
?????????????At least you got company...
???????????????????????BABAR
?????????????Yup,-- just the two of us standing around doing nothing...
???????????????????????MICHAEL
?????????????Yup.
We FOCUS on them standing around, watching as the people pass them by. This is their life now, waiting around for some glimmer of hope to arrive, they don't know when it will come but they do know that it's out there,-- waiting for them.
Just another Saturday night (hopefully the people at the hospital managed to catch Babar in some form or another,
hint hint.) in Hope Zion hospital; patients are there, doctors are doing their job, Michael Shanks is there and, wait... what's this?!?!, somebody got shot!!! This surely hasn't happened before in Saving Hope and to see a sudden gunshot where people are at risks!
That is so exciting and unexpected!!!!!
Obviously the writers must of gotten the memo, they
needed to switch something up and they do by having a bunch of people at a nightclub (regarding some plot about decency...), having them carry the body out of an ambulance and then there's the aforementioned shooting. However, just because something is sudden and exciting does not mean it's
automatically going to carry the entire episode; after the shooting moment happens, the episode slowly moves momentum until it grinds to a screeching halt, falling into the same mundane routine it has had for it's entire running span. Only difference is, the police are involved, two people got shot and one got upgraded from background status to important subject of the episode.
The stories regarding our patients are good as always but I can't help to wonder if these plots can't rise
above the genericy that is the usual medical drama stuff. I mean take for instance the Hockey Player, his plot is the best in the episode mainly because he has that brash appeal but it can't help but to fall into the same trap, which is guy doesn't want to give up even after he's had a concussion, gets a pep talk and suddenly he sees the light.
No one is doubting the commonness of these plot elements, hell some of the best things are made out of common stuff but it just feels
too common; like they're doing nothing to make it different. The acting from the guy was decent, her wife was nice and even Alex seems to be falling head over heals for the guy but acting can only get a person so far; they need to make the plot engaging in order to care about the character which Saving Hope
rarely does.
The best, but far from interesting.
Michael's latest guest star is a punky guy who is the victim of a stabbing at a nightclub. Michael's self confidence conflicts well with the punky guy's energetic attitude and that conflict leads to some nice stuff, including some thought provoking stuff that more then reflects Michael's situation (The situation Michael is in on the real world suited well to his plot and it just shows that there are good times and bad times when you're in a coma.) as a whole and some exceptional acting that shows Michael Shanks as a guy with a couple of tricks up his sleeve. I quite liked his performance but he does get annoying at times and he becomes generic halfway through the story but I can relate with him somewhat on some issues. I really liked that they gave it somewhat more time and focused some more camera screen around him rather then the other guys; this show is about him and it's
about time they gave more screen time to this guy as he roams around this purgatory-like world of his.
I do have to take note of the awkward pacing of this episode; I mean some people get shot and then it cuts to the energetic night club
after people got shot? You should be focusing on that, it's obvious that they're in a situation but to cut to that just makes people scratch their heads and possibly yell at the screen. The Hope Zion hospital
isn't immune to this either, there are times where the emotional feelings of the doctors and the plots of the patients don't match up; leading to a disconnect when there should be some emotional investment going on. There is a guy who's taking a woman into surgery, he's confident in his ability and then he looks back and takes an alternate route after realizing the risk and this is quite some time after a similar scene where the risk is mentioned.; it doesn't look like a guy who's about to perform a risky surgery, it just looks like a guy doing his everyday job
especially considering the disagreement and the stuff said afterwards. I'm all for character growth for the next guy but can you please make it so that I don't question the timing of such growth?
And in common fashion, Alex proves to the
best out of her cohorts here. She doesn't do a terrific job like in the previous episodes but she constantly reinforces with every episode that she's determined and that she and Michael have a thing that can't be broken as she takes care of, hopes for and even shows us some time she had with Michael in what is quickly appearing to be a part of Saving Hope's routine. Seeing Michael and Alex together when he was conscious is good in that it's something sweet and charming that takes us back to simpler times and nothing more, you can see the acting and range that Michael has in these scenes and you can say the same for Alex. They don't seem to be concerned about acting seriously, they're
just having fun and that's what makes these scenes a delight. But again, this is common and there are so many ways you can say it before it becomes old and tired.
Michael + Alex 4 life!
So this was an alright episode; it had hints of change as more locations are shown, Michael gets more screen time and a shooting quickens the pace of the episode, however it remains the same and there remains the ever present urge for something
major to happen; however, there is some hope out there for fans clamoring for progression as the episodes introduces a twist that moves both of them forward within the context of the show and hopefully promises to introduce potential that the series should not waste, especially since what is shown is
truly important. (I can't believe NBC revealed this scene in their promos, thankfully they have stopped producing promos, instead using the time to promote Revolution and how "
amazing" it will be.) As they say,
change is good...
6.5/10